THE CHALLENGE

By Sorayya Khan, author of three novels, NOOR, FIVE QUEENS ROAD, AND CITY OF SPIES. HER MOST RECENT BOOK IS WE TAKE OUR CITIES WITH US: A MEMOIR ., March 6, 2022
THE CHALLENGE

THE CHALLENGE

THE CHALLENGE (Yuri Ancarani, 2016)

Some years ago, at the start of a return journey from Karachi to New York, my husband and I finish checking in for our flight. 

As we rush from the airport check-in counter to the security line, we come across several men waiting in line at a first-class counter. Like us, they are leaving Karachi, but unlike us, they are not rushing nor carrying heavy hand luggage. They wear flowing white robes and matching headdresses, and they are perfectly relaxed alongside luggage carts draped in dark fabric. 

We’ve already passed them when I see it: a live falcon perched on a man. 

I stop, surprised at the scene and how full of love and silence it is. Flights are being announced and the rest of us are hurrying. The bird is perfectly still, like the smiling man. 

In Pakistan, falcons are trafficked and Sheikhs are given special dispensation to hunt endangered birds in the deserts of Sindh and Balochistan. The moment confuses me. Is the falcon being rewarded for hunting a Houbara Bustard? Could a newly captured falcon and its owner already be in love?

Sorayya Khan

Sorayya Khan’s most recent book is WE TAKE OUR CITIES WITH US: A MEMOIR (forthcoming 2022). She is also the author of three novels, NOORFIVE QUEEN’S ROAD and CITY OF SPIES  

Yuri Ancarani’s film, THE CHALLENGE (2016), which I saw at FLEFF, transports us to the desert of Qatar where men like those at the Karachi airport practice falconry.  Shiny cell phones are used to bid on a prized falcon at an auction. Pet falcons are fitted with cameras so we can partake in their point of view, as if what the revered bird sees inside a mansion or above the empty landscape is also prized. 

The film attends to jarring associations, and while the incongruities do not duplicate (exactly, anyway) those in Pakistan, they make me feel strangely at home. Cheetahs jump into Lamborghinis, SUVs labor to summit sand dunes, a falcon gets a pedicure, a mammoth screen sits in the desert, bikers stop for prayers. 

The man at a Karachi airport counter in love with his falcon: I now know it would not be any other way.

FLEFF: A DIFFERENT ENVIRONMENT