IC News

At 7 p.m. in New York and other cities, horns honk, sirens blare, and pots and pans clang a patchwork of gratitude that blankets the semi-muted cities and their medical personnel. Although they are guests of honor, the hoopla is a gift they didn’t ask for at a celebration they never wanted to attend. Their goal every day is to eradicate the virus, rendering the nightly celebrations unnecessary. But for now, working long, hard hours in a city not often known for its effusive praise, they soak it all in.

“Hearing the seven o'clock cheer is really overwhelming,” said Madeline Arena ’13, DPT ’15, a physical therapist in Manhattan. “Sometimes I just stand in my window and cry because I'm shocked at how much people appreciate what we're doing, and sometimes I don't even have to go to the window. It's super loud. People are outside dinging cowbells and banging pots and pans and yelling. There's this guy that rides his bicycle down the street blowing a trumpet. It's craziness, but it's all appreciation.”

Fran Toscano ’14 is glad that the night before the theaters went dark, she got to see “Hadestown” (with producer Larry Hirschhorn ’80 and assistant scene designer Lawrence Moten ’12). Outside of the theater that night she was wearing a mask and gloves, as part of the “Red Bucket Brigade” collecting money for Broadway Cares/Equity Fights AIDS. It was the first and last week of what was supposed to be a six-week campaign that raises money largely for AIDS causes but also for other types of health issues and emergencies in the entertainment industry. For example, when a pandemic forces all of the theaters to go dark.

“So many of the people I know in the city are performers, or gig workers, and they've all been out of work and it's been really hard on them,” Paccione said. Each week Broadway is closed, an estimated $33 million in ticket sales are lost, affecting almost 100,000 jobs. 

Over in Los Angeles, where almost all production came to a halt, actress, singer and musician Jessica DeShong ’07 was spending three days producing a music video, a commentary on her social isolation with a shout-out to front-line workers. She also happened to write the lyrics, record the music, sing the song, draw up the storyboards, shoot, star in, edit and distribute the video. She only had to leave the set (her apartment) once, “I think I had all of the props I needed. All I had to run out to get was all the toilet paper.” The song is called “Part of That World” a parody from “The Little Mermaid.” She sings from her couch, “I wear PJs and slippers aplenty./I stream Disney Plus all day long./Want some toilet paper? I’ve got 20./But who cares? I have way too much time/To create this song.”

Because commencement was postponed, choral professor Janet Galvan asked DeShong to record a mini congratulations speech to IC School of Music graduates. “You are now equipped with a superpower. That is to create music, and to foster the love of music in others. So no matter what's going on in society, remember that you have the power to heal and the power to refresh and to energize others through the music you create. You will always be needed. So go out. Live your life, love what you do, and never stop making music.”

DeShong also collaborated on another song, accompanied by former classmate Zack Ford ’07, who had the idea for a magnum opus of musical collaborations, all while raising money for The Actors Fund. He began the Coronavirus Cabaret, where friends — and now even strangers — pick a song for Ford to record on his piano and send to them. They then record themselves singing along with it, and Ford posts it to the YouTube channel.

The idea started when quarantine did. At first, Ford actually felt oddly relaxed about isolating in his house. “I’m a little bit of a homebody, so I was probably a little bit better prepared for the situation than everybody else,” he said with a laugh. But then during that very first weekend, a scary thought crescendoed. The prospect of not going out and seeing people quickly gave him a new-found appreciation for doing exactly that.

The answer debuted March 15 and was a hit...at least on YouTube, and especially with Ford’s network of IC and D.C. friends. Ithaca alumni sang a third of the 48 songs. At $10 per song, Ford gave nearly $500 to The Actors Fund by early June. Viewers were encouraged to donate directly.

Ford is proud to be part of the many ways people are using music to get through the pandemic.

“There are definitely ways that people are using music that I think really stand out. In Italy, the people on their balconies singing, and then you’ve seen all kinds of concerts and alone-together projects. I think people are recognizing, ‘Well, I can't be around people. But one of the things I can still share with them is music.’”

For her song, DeShong knew instantly what she’d sing, “Easy As Life” from “Aida.”  “It's a song I've always wanted to sing. I just never had a pianist to play it. It's a story of forbidden love between two races and two economic statuses. Aida was the first Broadway production that I ever saw in New York. I was in high school, and it changed my life when I saw that, and that song in particular was the most powerful song for me when I first heard it. So, it’s always stuck with me.

Erin Jacobson ’05 and Krista Donough ’05 were best friends who lived on Ford’s floor in Terrace Four, but they had more than that in common. They had each planned to perform solo, and then a funny thing happened on the way to Ford.

“I thought it was hilarious that they both requested the same song within hours of each other without having discussed it in advance,” Ford said in the introduction to the song, “You’ll Never Walk Alone.” Donough’s older brother Erik Donough '02 used his video mixing skills to combine the performances of the two isolated singers. “I guess you'll never walk — or sing — alone!” Ford said.

Noting all of this from nearby at the Library of Congress Music Division, Melissa Wertheimer ’08 contributes to a new web archiving project documenting life during the pandemic. The former flute performance major is now an archivist and music librarian leading a team of two colleagues who select internet content to archive that “represents what the performing arts world is producing right now, how the performing arts world is affected by the pandemic, where music is going, how our lives are going to change, which organizations are raising money,” Wertheimer said, pointing out that some items are creative in nature, but others include news, scientific studies, blogs, etc.