Humanities & Sciences

CSCRE DISCUSSION SERIES AND THE AMERICAN INDIAN AND INDIGENOUS STUDIES PROGRAM AT CORNELL UNIVERSITY PRESENT: THINK INDIGENOUS: RICHARD OAKES AND THE RED POWER MOVEMENT BY KENT BLANSETTT

Campus Center

Please join Keynote Speaker, Kent Blansett, followed by a roundtable (panel discussion) with Doug George-Kanentiio and Tom Porter, and conclude with a Q&A session.

Dido and Aeneas

Dillingham Center

Dido, fierce Queen of Carthage, falls in love with a Trojan Price, Aeneas. While their love may be mutual, the fate of their romance is out of their control when a Sorceress plots the destruction of Carthage. Forced apart by trickery, evil and sorcery, the lovers are faced with a brewing storm and potential disaster. Based on Book IV of Virgil’s Aeneid, Dido and Aeneas is Henry Purcell’s one true opera and his only all-sung dramatic work.

By Henry Purcell

Performed in English

Directed by Norm Johnson

Conducted by Christopher Zemliauskas

Pippin

Dillingham Center

From the composer of Wicked and Godspell, Pippin relies on magic and movement to tell its tale. In search of happiness and fulfillment, this vibrant musical morality play will take you through glories on the battlefield, temptations of the flesh, and intrigues of political power. Pippin learns that things are not always as they may seem, and happiness can be found in the most unexpected places.

Book by Roger O. Hirson
Music and Lyrics by Stephen Schwartz

Directed by Gavin Mayer
Musical Direction by Jeff Theiss
Choreographed by Daniel Gwirtzman

Hedda Gabler

Dillingham Center

By Henrik Ibsen --Patrick Marber, translation

Directed by Austin Jones

This modern translation of Henrik Ibsen's Hedda Gabler defies stereotypes. A powerful heroine of her time, Hedda strives to fulfill her own desires, yet deprives the people around her of their happiness.